Structuring the Metadata
By Molly Roy, Ph.D. How do we render embodied performance art as data? This is an ongoing question that emerges across different phases of the project, in both philosophical and practical terms; a question to sit with and think through, in relation to how we want to represent the work, or put differently, how to…
Cataloging
Introductions Earlier this summer, Rebecca invited me to join a Zoom meeting with Gesel and our team’s new archivist, Ellen Kamoe. She explained that they would be looking at the No Boundaries prototype, and specifically the catalog—trying to figure out if there were gaps that needed to be filled before publication. I hadn’t worked with…
Structure of the archive
Before I started to work with Gesel on creating the No Boundaries Archive, I’d made websites using WordPress and Squarespace and Wix, but I’d never had the experience of building a digital archive. It’s taken some time to orient myself with respect to the digital archive’s more complex structure. This blog post, in which I’ll…
Talking with the founders of ChromaDiverse: an innovative online tool for digital archiving
Judy Tyrus and Eric Waldman talk about their new digital archiving tool, the ChromaDiverse Digital Vault.
Platform vs. Toolkit
When our project was funded by the NEH and we began the designing and building process in earnest, Seth Kaufman, Whirl-i-Gig’s founder and lead developer asked, “Are you looking to build a platform or a toolkit?” As Seth explained, a platform and toolkit would be quite different. A platform would be a digital resource hosted…
Dance Becomes Data, or Who Can Help Us Translate?
Since beginning our collaboration, Gesel and I have shared a number of goals/hopes/expectations for the No Boundaries online prototype archive. Central among these is our desire to create something that connects to the body and liveness and performance. Yet, on its journey to online delivery, even the most stirring and expansive recorded performance becomes a…
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