Mill Marginalia

Mill Marginalia Online is a digital edition of all marks and annotations in the books of the John Stuart Mill Collection, held at Oxford University’s Somerville College. 

Lucini Caramogi comic relief logo

Comic Relief

The Italian Program in the Department of Modern Languages and Classics at The University of Alabama presents an online seminar series investigating the comic and its uses in moments or situations of trouble. The five talks in our series will variously look at how instances of tribulation, crisis, or upheaval can be examined and made sense of through a comic lens, often leading to a cathartic experience.

The History of Enslaved People at UA, 1828-1865

This project is the result of the work of the Task Force for Studying Race, Slavery, and Civil Rights at UA and documents their comprehensive assessment of University of Alabama Administration Records for the period up to 1865. This project seeks to ensure that all materials pertaining to slavery at the university is identify and transcribe the contents of the main record sets from this time including President Basil Manly’s diaries, President Landon Garland’s letterbooks, the Faculty Minutes, and the collection most commonly referred to as the “slave receipts.” Most important of all, however, was identifying as many of the enslaved individuals who labored on UA’s campus, or who were enslaved by faculty and college presidents, as possible and entering those names, and the records associated with them, in a database

Journal of A Pandemic Year

In January 2020, two award-winning history professors set out to track the medical and media phenomena surrounding the outbreak of a novel coronavirus in China. What started as a side-project quickly became an all-consuming, effort to make sense of a global pandemic. Based on extensive research, contributions from a national team of experts, dozens of interviews, and hundreds of collected stories, Drs. Margaret Peacock and Erik L. Peterson set out to examine the intersecting crises that plagued the nation. They revealed a health structure rooted in a culture of acute care that was hobbled by entrenched racial hierarchies, lasting economic disparity, and a willful historical amnesia. These factors more than anything else led to the pandemics of disease, disinformation, poverty, and violence that caused such unimaginable catastrophe.

Notre Dame in Color

The Notre Dame in Color is an international collaborative research project that brings together scientists, artists, and art historians to enrich our understanding of the multi-chromatic environment of the Cathedral of Notre-Dame in Paris. Together, we are documenting, analyzing, and developing new digital visualizations of the polychromed sculptures of Notre Dame in order to preserve the cathedral for future generations. Content will be added as work progresses through 2026.

Joe Minter’s African Village in America

Joe Minter is a Birmingham-based artist who creates site-specific sculptures on and around his property, many of which comprise his large installation, the African Village in America. The recorded flyover below provides a bird’s eye view of this site, created between 1989 and the present. Learn more about Minter and his work here by viewing a catalogued collection of his works, watching intimate conversations, taking the 3D tour, or reading about him and his work.

Dancing Digital Progress Blog

Dancing Digital is a project funded by the National Endowment for the Humanities to create and facilitate more accessible, equitable, sustainable, and interconnected dance resources online.

Civil War and Reconstruction Governors of Alabama logo

Civil War and Reconstruction Governors of Alabama​

Professors Julia Brock and Leslie Gordon and a team of students have partnered in this project with the Alabama Department of of Archives and History to transcribe and collocate the correspondence of Alabama governors from the civil war and reconstruction era.

Aphra Behn portrait

Aphra Behn: The Podcast

This podcast celebrates the 350th anniversary of the first public performance of a work by Behn, surveying major trends across translations of romances and scientific texts, timely plays, erotic poetry, and an anti-slavery novella.