A Conversation with Rebecca Salzer (2.2)
In this episode, Sara Whitver talks to Rebecca Salzer about the development of the Dancing Digital project which she leads with collaborator Gesel Mason.
In this episode, Sara Whitver talks to Rebecca Salzer about the development of the Dancing Digital project which she leads with collaborator Gesel Mason.
In this episode, Sara Whitver talks to George Daniels about his Fall 2023 course entitled Race, Gender, and Media. The course uses HistoryMakers Digital Archive as a research foundation and incorporates a number of digital projects which allow students to present their research findings using digital methods.
Assistant Professor and Digital Scholarship Librarian Carrie Hill shares her work exploring the information behaviors of fanfiction writers who post their work on Archive of Our Own (AO3), self-described as “A fan-created, fan-run, nonprofit, noncommercial archive for transformative fanworks, like fanfiction, fanart, fan videos, and podfic.” She will share the inspiration for her project, challenges she faced while trying to answer her initial question, and where those challenges eventually led her with this study.
During this ADHC Talk, Sara and Jeri will talk about the future of DH: What technologies will have big impact? What infrastructure will be necessary to support sustained DH scholarship? How do we train future DH scholars?
During this conversation, Sara Whitver will talk to John Giggie and Isabella Garrison about their Alabama Memory Project. Alabama Memory is an Omeka S documentary archive of the lives of lynched individuals in the state of Alabama. Giggie and Garrison will talk about data collection and methodologies for organizing and presenting data with the goal of telling the lived stories of victims of lynching in Alabama.
In the second episode of ADHC Talks, Sara Whitver talks with Chemical Engineer Amanda Koh. Amanda runs the Koh Laboratory which “focuses on engineering soft materials and material interfaces to enable new stretchable electronics, soft robotics, smart devices, and porous materials.” One of Amanda’s current projects is to design a wearable device that helps singers measure their breath while singing, with the ultimate hope of making this device more widely available for breathing therapies. Amanda and Sara will talk about what it means to design and create wearable devices and what kinds of ways these wearable devices can change our perception of what it means to be human and understand our bodies relative to the world around us.
This project is the result of the work of the Task Force for Studying Race, Slavery, and Civil Rights at UA and documents their comprehensive assessment of University of Alabama Administration Records for the period up to 1865. This project seeks to ensure that all materials pertaining to slavery at the university is identify and transcribe the contents of the main record sets from this time including President Basil Manly’s diaries, President Landon Garland’s letterbooks, the Faculty Minutes, and the collection most commonly referred to as the “slave receipts.” Most important of all, however, was identifying as many of the enslaved individuals who labored on UA’s campus, or who were enslaved by faculty and college presidents, as possible and entering those names, and the records associated with them, in a database
In January 2020, two award-winning history professors set out to track the medical and media phenomena surrounding the outbreak of a novel coronavirus in China. What started as a side-project quickly became an all-consuming, effort to make sense of a global pandemic. Based on extensive research, contributions from a national team of experts, dozens of interviews, and hundreds of collected stories, Drs. Margaret Peacock and Erik L. Peterson set out to examine the intersecting crises that plagued the nation. They revealed a health structure rooted in a culture of acute care that was hobbled by entrenched racial hierarchies, lasting economic disparity, and a willful historical amnesia. These factors more than anything else led to the pandemics of disease, disinformation, poverty, and violence that caused such unimaginable catastrophe.
The Notre Dame in Color is an international collaborative research project that brings together scientists, artists, and art historians to enrich our understanding of the multi-chromatic environment of the Cathedral of Notre-Dame in Paris. Together, we are documenting, analyzing, and developing new digital visualizations of the polychromed sculptures of Notre Dame in order to preserve the cathedral for future generations. Content will be added as work progresses through 2026.
Joe Minter is a Birmingham-based artist who creates site-specific sculptures on and around his property, many of which comprise his large installation, the African Village in America. The recorded flyover below provides a bird’s eye view of this site, created between 1989 and the present. Learn more about Minter and his work here by viewing a catalogued collection of his works, watching intimate conversations, taking the 3D tour, or reading about him and his work.